Tag: writing

Writer Emergency Fiasco

Stefan2 Comments

A long time ago, in a different world, I committed to a writing exercise using two pivotal tools: Fiasco and the Writer Emergency Pack. A twelve-week journey that allowed me to play Fiasco solo and led to the creation of my novella, Honeymoon.

Let me talk about these two things real quick.

Fiasco

Logo of the game Fiasco

Fiasco is a role playing game designed by Bully Pulpit Games about people with high ambitions and poor impulse control. It’s as rules-light as a TTRPG can come, GM-less, and really more of an improv game, rather than a game about classes and powerful builds. In fact, you don’t even really build a character. Instead you determine the relationships between your characters, what is important to them, and create a story from there.

The goal of the game is to create an all-too-human story of flawed people trying to get ahead in life, pushing the envelope too much, too far, until it all descends into one hell of a–uh–fiasco. Think of caper movies, gangsters and mobsters, of people down on their luck and desperate. Coen Brothers movies, Breaking Bad, that kind of stuff.

Wil Wheaton and friends did an amazing playthrough of Fiasco on his old Geek & Sundry show, Tabletop. In fact, that episode is what made me aware of the game in the first place, and I did everything I could to get my hands on a copy of the book. I recommend watching the setup bonus episode, as well as the two parts of them actually playing the game. It’s a fun watch.

It’s the perfect game for writers and actors, but I have had fun playing with all sorts of people that like to play TTRPGs.

In Fiasco, you roll a handful of dice (four per player) and use the results to pick details from a list of relationships, needs, locations, and objects. These are provided by themed playsets that are meant to invoke a specific type of story.

Sample playset page from the playset “Roadkill” by Christine Roth.

Since it’s based on dice, the setup is somewhat random, so you never really know what you get when you sit down to play Fiasco. Each player gets to create or play out a scene on their turn to, hopefully, get their character ahead in the game. Each scene has a simple resolution mechanic: it’s either bad for them, or it’s good. When starting a new scene, the player can choose whether they get a good or bad outcome, but they are at the mercy of the other players, who get to establish the scene for them. Or they can choose to establish, maybe putting themselves in a good frame for the scene, but the others get to decide whether the scene resolves good or bad for them. During your scene, others play their characters or other NPC that might be part of it.

There are no systems or rules for the scenes themselves. It’s pure narrative exploration of characters and their goals and drives. The random elements determined at the start might play a role in a given scene, but it’s about as freeform as it can get.

The game has a few more rules past that, such as the Tilt Table that is rolled on halfway through the game, which introduces two really–really–bad twists for the characters. Also, at the end, there is a system for determining the Aftermath for all of your characters, which is based on the amount of good and bad scenes you had. These are represented by white and black dice–you get to roll all the ones you collected at the end. The more dice of a color you have, the better your chances for some decent outcome. But don’t count on that.

Writer Emergency Pack

The Writer Emergency Pack by John August of Quote Unquote Press is a deck of cards meant to help you get unstuck during your writing. Focus on your current scene, characters, or whatever else is going on, draw a card, and get inspired by it. Each card has two sides. The first has a title, art, and a quote to inspire you. The other has a few sentences explaining the idea behind that card, and a short list of exercises to help you think about your story or characters in different and new ways. They don’t tell what to do, they just get you thinking in new or interesting ways about what is you are already doing. Even if the card’s themes and exercise don’t fit your current situation at all, sometimes it can be helpful to just think through what-ifs to get the creativity flowing again.

It’s a great tool to have for any writer–random prompts and thought exercises are always a good way to break through the infamous writer’s block.

Writer Emergency Fiasco

So, how does all of this work together as a writing exercise?

First of, I use Fiasco to set up a situation. I pick a playset, roll some dice, and put together relationships and the details that are important to them. With all that in mind, I come up with characters and some backgrounds, as well as an initial situation. Given the nature of Fiasco, I don’t really need to plot out a lot of details ahead of time. All I need to know is who the characters are and in which order they get to act out their scenes. Usually, you simply go clockwise around the table. In this case, I’d determine it randomly or just decide.

From this point on, I essentially just “play” the game, establishing one scene at a time, writing a piece of short fiction for each. I decide randomly whether a given scene should resolve good or bad for the character, I will roll on the tilt table after everyone got their two scenes, and so on. Standard Fiasco stuff.

Here’s the twist, though: I will draw a card from the Writer Emergency Pack for every single scene. I will think about the card, get inspired, do the exercises on the back, and let the card be the prompt for the fiction. The thing with solo roleplaying is that it’s heavily reliant on prompts. Oracles, spark tables, random events–all tools to replace the GM and their guidance. In this case, the Pack will serve that function for each scene.

As I said at the beginning of this post, I have done this once before, like a decade ago. The playset I used was called “Roadkill” by Christine Roth. It’s inspired by movies like Thelma And Louise, From Dusk Till Dawn, True Romance, Natural Born Killers, Stand By Me, Heartbreakers; Kleine Haie, O Brother, Where Art Thou, Planes, Trains and Automobiles. As well as TV shows like Breaking Bad.

I created three characters and their relationships, writing one scene a week. Before each scene, I would draw a card and write a post working through how it would work. And after each scene, I would write a post summing up of how I ended up writing what I did, how the card helped, and so. It was a great exercise, and ended up in me writing a short novella called “Honeymoon.” You can read all about here–I documented the entire process over on my old blog, which was more focused on writing and other topics.

Anyway. Here I am, wanting to do it again. I’ve been wanting to get back into writing for a while now, and I’m also trying to find a use for this new blog, which is focused on TTRPG. And, well, playing Fiasco as an exercise in creating fiction seems to serve both ambitions well enough.

Well. First I would need to do is pick a playset. And there are so many of them online–from Office-like satire setups to Buffy-style vampires, the community has been creating amazing playsets for years now. After reading through a bunch of them, to be honest, I came back to Roadkill. It’s just the sort of story I really enjoy. It’s small, personal, messy. I also decided on using three characters again–just a simple triangle of people about to drive off the cliff, so to speak (or for real, who knows).

I won’t bore you with the details of how we got here, but I rolled the dice (4 for each character) and got the relationships. Here is what I have so far:

Relationship: Crime, Undercover cop and criminal
Object: Weapon, Bomb and Detonator

Relationship: Work, Both Want That Promotion
Location: In Public, Table In A Fast Food Joint

Relationship: Romance, Love Long Lost
Need: To Get Away, And Start Over

In the next post, I’ll dive deeper into the trio of characters attached to these relationships and details. For now, I leave you with their names: Bill, Ash, Jay. Simple, common, just a bunch of regular people about to get sucked into one hell of a fiasco (have I made this joke before?).

I think that’s it for now.

I strongly recommend you check out Fiasco. It’s just a fantastic game that can be played in an evening. They released a new card-based version of Fiasco a few years back, making it a bit more accessible. But I still prefer the classic version using dice and playsets.

The Writer Emergency Pack is also a fantastic tool for writers. It’s not really meant to be used to kickstart every single scene of your writing, as I am using it here, but more to help you think about your story in new and unexpected ways when you feel stuck or lost.

My goal is to write one scene a week, as well as the pre and post scripts about the cards and the general progress of the story. If all goes well, this is not last time you hear of Bill, Ash, and Jay, and their high ambitions and poor impulse control.

Picture of a bookshelf with books who have each a prompt written on their spine. Daily Prompts 1) Patron 2) Prompt 3) Tavern 4) Message 5) Ancient 6) Motive 7) Journey 8) Explore 9) Inspire 10) Origin 11) Flavour 12) Path 13) Darkness 14) Mystery 15) Deceive 16) Overcome 17) Renew 18) Sign 19) Destiny 20) Enter 21) Unexpected 22) Ally 23) Recent 24) Reveal 25) Challenge 26) Nemesis 27) Tactic 28) Suspense 29) Connect 30) Experience 31) Reward Question Prompts (roll D6) 1) Who 2) What 3) Where 4) When 5) Why 6) How Mood Prompts (roll D10) 1) Envious 2) Nostalgic 3) Proud 4) Enthusiastic 5) Confident 6) Optimistic 7) Lucky 8) Grateful 9) Contemplative 10) Excited Subject Prompts (roll D8) 1) Adventure 2) Character 3) Genre 4) Rule 5) Accessory 6) Art 7) Person 8) Lesson

#RPGaDay2025 Day 7: Journey

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I started playing games when I was 15 years old. See, I didn’t really grow up around this kind of stuff. I had video games, though, and I loved them. More than that, I loved making things with video games instead of just playing them. I got hooked creating things with games early on, like creating your own midi-style music back in Mario Paint for SNES.

I remember making my own maps and campaigns for StarCraft Broodwar thanks to their map editor software, which was included with the game. I wrote stories and found ways to make the game engine and editor tell them. Making things for the game, not just playing them, was probably the most fun I had engaging with it.

Then I came across TTRPG. In my very first post here, I talked about how this happened–how a chance encounter with someone I barely knew changed my life. Now, the game was the story. The engine that drove the experience also drove the story. No more awkward script languages I barely understood, no more limitations of tech. Just imagination, a few books of rules and lore, and good people who want to share in it all.

Before that, I never read any books. Just wasn’t into them. TV and video games and Transformers toys were my entertainment. But once I started reading TTRPG books, like Shadowrun and Vampire, I started to get the bug for the stories within them. Shortly after, I bought my first actual novels. Official Shadowrun novels, obviously. I didn’t know it then, but reading books would do the same to me as playing video games: eventually, I started making up my own stories. Wrote my own words down. A deep desire to create.

I don’t know, maybe it’s always been there. I think I always wanted to tell stories. And I think I was good at it, even when I was young. It’s just, no one saw it. No one took that potential and helped shape it into something. Once in school, we had six months to prepare for our final exam in German class, which was us having to write a short story. That story was 50% of our grade for the year. Six months to prepare and plan and write the whole thing if we wanted to. We just had to write it again, by hand, in a three or four our span. I didn’t prepare for it. Maybe I forgot. Maybe my punk-ass didn’t care. But here I was, the day of, and nothing to show for it. So I wrote. Something. Anything. Some sort of story of a dying world, with the last people of earth living under a dome to keep the harsh sun and dead air at bay. A story about the end, as the dome finally cracked. A story about a family during their last moments. Was it any good? Probably not all things considered, but I got full marks for the story itself. My spelling and grammar and handwriting brought down the grade, of course. But then again, I pulled an entire apocalyptic story out of thin air without a single thought ahead of it. And the story itself was good enough to so I would not fail that class that year. I think about that sometimes. About how someone could have said something, noticed something. Made me pursue writing at a younger age. Though, the asshole teenager that I was, I wouldn’t have listened anyways.

I turned 40 this year. In the last 25 years, I finished school, moved across the world, had jobs and friends and people to love, and lost just as much one way or another. I met my spouse, going on 13 years now, have a solid job, a place to live, and a great group of friends online that play games with me. And in all that time, I never stopped creating. I wrote stories, played games, made music, and I designed my own things. Homebrew content, entire systems stolen from one game and made work in another. The first steps of an entirely new game I hope to share with the world soon.

Now I’m here. This journey that started at the turn of century–millennium even–all led me to this post. The reason this blog exists is because I wanted to share my journey, my experiences, how I think and feel and make art. My art. My writing. My love for systems and stories, and the intersection of them, where the best games do the best work. Where I feel the most like myself.

My journey isn’t over. I have been making things since I can think. And, maybe, it’ll inspire someone else, someone reading my words or playing my games, to start a journey of their own some day. Like I wish I had all those years ago.